This Eid, Xefer Rahman surprised fans not just with new music, but also with her return to acting. After her debut in Mostofa Sarwar Farooki’s “Monogamy”, she appeared in the highly anticipated web-series “Myself Allen Swapan 2”, directed by Shihab Shaheen. She not only shared the screen with Nasir Uddin Khan but also lent her voice to the series with the track “Boyam Pakhi 2.0”. Simultaneously, her song “Niye Jabe Ki” from the Eid film “Daagi” was added to the festive lineup.
Ahassan's path to acting began unexpectedly with modeling. "In 2023, I participated in the Mr. Franco Desi contest, featuring participants from India, Pakistan, Bangladesh, and Sri Lanka. I won the title, and soon after, I started receiving offers for ramp shows," he revealed. Initially disinterested, he joined primarily for the talent segment, eager to showcase his passion for dance. "Dancing is something I’m passionate about, and when I saw that I’d have a platform to showcase it, I thought, why not?"
Starting out as a model, he made his acting debut in Vicky Zahed’s “Ararat” (2024), portraying a jinn—a performance that caught the people’s attention. His latest release, “Neel Shukh”, has taken him even further, proving that he’s here to stay.
Parsha Mahjabeen Purnee holds two very distinct identities among her audiences, one more intriguing than the other—she is a musician and now an actor with her (groundbreaking) debut in Jahid Preetom’s “Ghumpori”. A third-year university student who inspired millions through her song, “Cholo Bhule Jai” during the July Movement gets candid with The Daily Star about her journey, new-found fame and future aspirations.
The rising star will be starring in four films this year—two Bangladeshi projects, including one directed by Tanvir Hossain Probal, and two Indian films, one from Tamil Nadu and another from Kolkata. “I have a significant fanbase in Kolkata, and that’s how I was approached for these projects,” he shared.
Bound by music and driven by passion, Rubayat Rehman and Ruslan Rehman have found not just melodies but a shared destiny.
Some connections are simply meant to be. For Nidra Dey Neha and Prantar Dastider, it all began on the set of Goutam Koiri's directorial web-film “Antonagar” (2023). When they first worked together, little did they know that the film would change their lives forever.
In becoming one with his character, Rizvi Rizu often pushes himself to the point of injury. “In ‘Feu’, I had a fight scene where I had to run at full speed through a forest, and the sharp leaves pierced my feet. In ‘Waqt’, I severely injured my thumb while holding a saw incorrectly. My thumb was on the body of the saw, and when I turned it on, it started moving and tore my skin. I suffered for 15-20 days, and everyone was terrified,” he recalled.
Mumtaz spoke with palpable excitement about returning to Bangladesh. "We are going to perform in Bangladesh after over a decade," he said, his eyes twinkling with nostalgia. "All Jal fans are probably grown up now, like me," he added with a chuckle. "But still they remember all the songs, it's so overwhelming for us to come here again and receive such a heartwarming welcome."
Fifteen years ago today, on September 12, 2009, Karim, revered as the "Baul king," passed away, leaving behind a profound yet humble legacy of love and mysticism. Growing up in the flood-prone lowlands of Sunamganj, Karim's music became a lifeline, reflecting the rhythms of waterlogged lands and the heartache of their people. His songs, simple yet profound, captured the essence of rural life, blending spirituality with raw emotion.
Political cartoons played a pivotal role in the Anti-Discrimination Student Movement, transforming the revolution with artistic brilliance and courage.
While the internet was down, TV ratings skyrocketed. Most TV channels have confirmed that their ratings have doubled, although they couldn't provide actual figures as data couldn't be gathered physically. How did they assume their content was reaching the audience? The answer lies in the constant stream of advertisement breaks.
As I was preparing for the camera to roll, a humbling realisation struck me—this band had been crafting sonic masterpieces before I had even mastered my mother tongue. Their creations, like— "Oniket Prantor", "Onno Shomoy", "Obosh Onubhutir Deyal", "Amar Poth Chola", "Dhushor Shomoy"—had become the soundtrack to a generation’s hopes, dreams, and rebellions.
In Bangladesh and beyond, the success of productions like "Kacher Manush Dure Thuiya" and "Myself Allen Swapan" suggests that meme marketing is more than just a passing trend. It represents a fundamental shift in how audiences interact with and share content. As the digital landscape continues to evolve, those in the film and streaming industry who can master the art of the meme may find themselves with a significant advantage in capturing the ever-elusive attention of modern viewers.
Humayun Faridee, a luminary of Bangladeshi stages, screens, and television, took his final breath on February 13, 2012, in Dhaka. Yet his physical departure does not signify erasure. His creations and artistry have transcended time, rendering him immortal in the hearts of his admirers. While literal victory over death is unattainable, Faridee achieved a form of immortality through the enduring legacy of his work.
Chowdhury’s contributions go beyond this iconic song and journalism. He was a distinguished storyteller with notable works, including the acclaimed short story collection “Samrat-er Chhobi” (The Emperor’s Picture). He also authored significant novels and plays, consistently emerging as an active progressive writer and political commentator through the twists and turns of history. He was not just an observer of history but an active participant.
The man behind the song, Pankaj Udhas, brought Ghazal to the masses, popularising it and making it accessible to the multitude not only in his country India but also across the globe with his calm and controlled voice that won everybody’s hearts.
Mrinal Sen, a pioneering figure of Indian cinema, continues to inspire artistic representation of social consciousness. Born on May 14, 1923, in Faridpur, his journey as a filmmaker traversed tumultuous socio-political landscapes. Through the composition of his illustrious career, he distinguished himself as a filmmaker of unparalleled vision and courage, particularly because his works transcended mere entertainment to embody profound social commentary.
