So in the spirit of Independence, I urge my reader to exercise independence of consumption—to question what you are buying, what you are reading, what you are watching, and which of these you are really given the freedom to choose.
The postcolonial and feminist lenses Chatterjee deploys in his discussion of the works of the selected women writers seem to suit his analysis of the works of these "enlightenment" period British women writers, for their biases, fixations, and anxieties often come into view then.
"I think of myself as someone who just really enjoys people, bringing people out, and hearing about what they’re working on": Anjali Singh
These words are not just some veils adorning the valour and victory of our freedom fighters; they're not just tributes but testaments to the rare occasion of the oppressed overpowering the oppressor.
As a juvenile bibliophile, I used to see the copies as a delicate object greeting with utter care and affection.
Overnight, the saffron summer afternoons and evenings of dreamy stargazing tumble into a tale of grief, guilt, and pain.
The book captures all the enjoyable experiences of travelling, and the food they ate, and provides descriptions of France's seas.
In some ways, Sharatchandra places the blame for Devdas's ensuing sorrow on his lack of courage, made all the more noticeable in comparison to Parbati's courage in breaking social norms despite the dire consequences it could have for her.
You land in London with £210 in your pocket. It is the year 2009. You are able to pay the first month’s rent for the room, but not the deposit. You have to share it with an acquaintance from Dhaka. He arrived a week prior.
The lad appeared to be very humble and slowly took a seat. But I noticed that he did not take his eyes off my face even once. He kept on staring at me through his glasses.
Despite his caste-consciousness and critical depiction of the social prejudices of colonial Bengal, he never directly opposed them; in his real life, he was an upholder of traditional Hindu patriarchy and Brahmin-dominated caste society.
Following the trails of Imaginary Homelands (Penguin Books, 1992) and Step Across The Line (Modern Library, 2003), comprising essays written and lectures given by Salman Rushdie between 2003-2020, Languages of Truth is Rushdie’s third collection of nonfiction works and is as a delectable read as its predecessors if not more.
The author paints an engrossing picture of her experiences and memories, both influenced by food, which is true for most of the people in this world, and particularly for South Asians.
The Hundred Foot Journey is the story of an immigrant Indian family who sets up a restaurant right in front of a famous French relais and the feud it ensues.
The lineup of mentors includes a range of writers from South Asia, currently based in and publishing from all over the globe.
We walk past the singing bells and our chambers, Blind to the perils beyond our walls.
In Koshobi, Jaladas paints the damp and dejected walls of Strandroad, Shahebpara, which is a local red-light district more than 300 years old.
Over the two-week period, six original short stories by emerging South Asian writers will be published on Himal Southasia’s website
For iftar during that month we were served milk with rosewater which I found quite delicious, and gulab jamun served as dessert. When some girls didn’t want or didn’t finish their portions they would give it to me and I would accept happily.