fiction
Like father, unlike son: Martin Amis’s place in literature
Perhaps Martin Amis’s works do not grab me for the most part because it veers too far away from the humanism of, say, Saul Bellow—a writer Martin greatly admires and has written about extensively.
Racism and geopolitics in South Africa
Institutional racism in colonies, migration, flawed anti-monarchy sentiments stemming from personal vendettas, and the need for rebellion permeate the lives of these characters.
ESSAY: WORLD ENVIRONMENT DAY 2023 / Climate fiction and the fictions we tell ourselves
There is an element of the unexpected in the twinning of fiction and ecology. A sense of unease of sorts exists in the pairing together of fiction, a form of narrative that is untrue, with the imminent ecological disaster, an environmental inevitability that is true.
Everybody hates fantasy. Let’s talk about it.
Based on anecdotal evidence, complaints about the genre being “pure escapism”, “childish” and “uninteresting” are common. There are also reviews which accuse fantasy literature of being “formulaic”, “out of touch” and even “outdated”.
Upside Down world
The sun goes down every day when it’s meant to be
Moony’s Waffle Cart
A familiar voice echoed behind her as she was about to leave.
Interview / ‘We are translators every day’: Arunava Sinha
You must read like a reader and not like an academic student. If the book you’re translating is a general book, it’s going to be read by readers. Intelligent readers perhaps, but readers nevertheless.
Reading ‘memory’ with Sehri Tales and Sister Library
The event, themed ‘Memory,’ took place on Sunday, May 21 at Dhanmondi’s DrikPath Bhaban, supported by Goethe-Institut Bangladesh and HerStory Foundation
FICTION / The story of an ancient silence
The pleasing melancholia of Friday morning hovers through the window as a heavy gloom and sways within the fake plastic daisies lying on Marium’s table while the smell of burning spices filled her entire house. Marium’s mother couldn’t care less about the condition of the kitchen now. Her husband has just collapsed to the floor.
Like father, unlike son: Martin Amis’s place in literature
Perhaps Martin Amis’s works do not grab me for the most part because it veers too far away from the humanism of, say, Saul Bellow—a writer Martin greatly admires and has written about extensively.
Racism and geopolitics in South Africa
Institutional racism in colonies, migration, flawed anti-monarchy sentiments stemming from personal vendettas, and the need for rebellion permeate the lives of these characters.
Climate fiction and the fictions we tell ourselves
There is an element of the unexpected in the twinning of fiction and ecology. A sense of unease of sorts exists in the pairing together of fiction, a form of narrative that is untrue, with the imminent ecological disaster, an environmental inevitability that is true.
Everybody hates fantasy. Let’s talk about it.
Based on anecdotal evidence, complaints about the genre being “pure escapism”, “childish” and “uninteresting” are common. There are also reviews which accuse fantasy literature of being “formulaic”, “out of touch” and even “outdated”.
Upside Down world
The sun goes down every day when it’s meant to be
Moony’s Waffle Cart
A familiar voice echoed behind her as she was about to leave.
‘We are translators every day’: Arunava Sinha
You must read like a reader and not like an academic student. If the book you’re translating is a general book, it’s going to be read by readers. Intelligent readers perhaps, but readers nevertheless.
Reading ‘memory’ with Sehri Tales and Sister Library
The event, themed ‘Memory,’ took place on Sunday, May 21 at Dhanmondi’s DrikPath Bhaban, supported by Goethe-Institut Bangladesh and HerStory Foundation
The story of an ancient silence
The pleasing melancholia of Friday morning hovers through the window as a heavy gloom and sways within the fake plastic daisies lying on Marium’s table while the smell of burning spices filled her entire house. Marium’s mother couldn’t care less about the condition of the kitchen now. Her husband has just collapsed to the floor.
Grief is something pure and stark in Han Kang’s ‘The White Book’
Han Kang explores the nature of her existence and it is all portrayed through objects and ideas unified by a single color: white.
