The necessity that was felt a few days after the Declaration of Independence of Bangladesh was that of a Government which could take upon itself the burden of directing the liberation struggle.
The Daily Star (TDS): Your family was closely involved with the Liberation War of Bangladesh. Could you please provide some insights into this historical involvement?
‘Academy’, as many of us know, is a word that comes from the French word ‘academie’, evolving from Latin ‘academia’—the ultimate ancestor of both being Greek ‘akademeia’.
As I delved into the autobiographical works of Abul Mansur Ahmad, it became evident that he had a penchant for plain speaking, avoiding embellishments.
Kazi Nazrul Islam is our National Poet, but, in addition to writing poetry and composing songs, he also wrote fiction. In fact, Nazrul’s first publication was not poetry, but the short story “Baundeler Atmakahini” (The Autobiography of a Vagabond), published in Saogat in May 1919.
My memory is again in the way of your history. Agha Shahid Ali
I had once written extensively about S.M. Sultan. Why? Because it felt essential to make our ‘art authorities’ aware that he was a rare talent, although many were unwilling to accept it. Thus, the pen became my last resort.
In the opening years of the twentieth century, Abanindranath Tagore (1871– 1951), Rabindranath’s nephew and a prominent artist living at the Tagore palazzo in Calcutta, Jorasanko, made a trio of paintings depicting the Emperor Shah Jahan (r. 1628–58) at different stages of his life, together with his great monument to love, the Taj Mahal.
Thinking of Syed Waliullah and being his son always triggers contrasting feelings of joy and pride, melancholy and pain. Regrettably, neither my elder sister Simine nor I am able to remember much about our father, as we were both very young when he passed away.
Congratulations on your new book, “River Life and the Upspring of Nature.” With your academic background in religious studies and social life in Pakistan, what prompted you to shift your focus towards studying the river life and char communities in Bangladesh?
The circus industry in Bengal experienced a significant boost during the 19th century, thanks to the arrival of Russian and European performers, as well as contributions from Africans, Mongolians, and other Asians in the 20th century.
Sonamoni! No prefix, no suffix, that is her name. It signifies the golden pearl of the eye.
Souls is not the first band in Bangladesh to reach the milestone of 50 years.