Saikat Majumdar

The Return of the Repressed

As someone who writes novels, writes about them, and generally works in the medium of prose, I’ve always had an unspeakable envy and admiration for literary forms that take on the moving body of performance.

1y ago

Ah, storytelling!

Do the smooth muscles of narrative hold a deceptive appeal? Does the temporality of a story do more harm than good? One of the most intriguing stories in Aesop’s Fables, seems to think so – a fascinating story that is a good example of an anti-story!

2y ago

A Public Obscenity?

What does it mean to read a book in a public place these days?

3y ago

Art’s Pantheon

Mashrur Arefin’s 2019 novel, August Abchhaya, is full of moments that evoke the blood-stained memory behind the language of conflict.

3y ago
June 11, 2022
June 11, 2022

The Return of the Repressed

As someone who writes novels, writes about them, and generally works in the medium of prose, I’ve always had an unspeakable envy and admiration for literary forms that take on the moving body of performance.

January 1, 2022
January 1, 2022

Ah, storytelling!

Do the smooth muscles of narrative hold a deceptive appeal? Does the temporality of a story do more harm than good? One of the most intriguing stories in Aesop’s Fables, seems to think so – a fascinating story that is a good example of an anti-story!

February 6, 2021
February 6, 2021

A Public Obscenity?

What does it mean to read a book in a public place these days?

January 16, 2021
January 16, 2021

Art’s Pantheon

Mashrur Arefin’s 2019 novel, August Abchhaya, is full of moments that evoke the blood-stained memory behind the language of conflict.

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