Large ancestral mansions with tales unknown, deep mysteries looming for generations, exquisite interiors hiding years of misdeeds; the very factors that make history humane also make the places witnessing them areas of massive interest. A family drama unfolding in such a backdrop, with a cast executing fine performances, ought to be acclaimed. Yet, the true beauty of the 2007 psychological horror-comedy “Bhool Bhulaiyaa” lies in its appeal, even after all these years.
What is life if not a solitary journey, filled with challenges and surprises, treasured memories and emotions, friends and foes? If I told you that an animated film without any dialogue could fully capture the essence of solitude and life’s unpredictable turns, you might be surprised. “Flow” delivers exactly that surprise.
When “The Bong Connection”, directed by Anjan Dutt, was released in 2006, legendary director Rituparno Ghosh called actor Parambrata Chatterjee and told him that he could never make a film like that. What was so special about the movie that Rituparno himself was envious of the creation?
As Bangladesh continues its journey towards economic restructuring, it is imperative to create jobs that provide dignity and security for its people.
“Talvar”, released internationally as “Guilty”, is a 2015 crime thriller directed by Meghna Gulzar and written by Vishal Bhardwaj. Loosely based on the infamous 2008 Noida double murder case, the film chronicles the brutal killings of a teenage girl and her elderly male servant. The case, which captivated public attention, saw her parents and several local servants implicated by various investigative bodies.
When “Kahaani”, directed by Sujoy Ghosh, was released in 2012, it created a significant impact. Both critically and commercially successful, the film was lauded for its women-centric theme and realistic approach to filmmaking. Over a decade later, it still stands as a compelling watch.
Once musician Xefer took a turn and decided to debut as an actor while also adopting a new look with straightened hair, that too for Mostofa Sarwar Farooki’s project, it left netizens mesmerised. Moreover, the awestruck people were also eagerly awaiting her on-screen pairing with seasoned actor Chanchal Chowdhury. However, the anticipation led to much disappointment when the greater bit of the audience did not find the movie appealing.
The show begins with the abrupt disappearance of Margaret’s youngest son while he was with Mercy. This incident triggers a series of events, also involving Margaret’s neighbour Hilary. As these women navigate their deep-rooted traumas and terrible sense of loss, the series highlights the role of the megastructures of patriarchy and capitalism in individual lives.
Large ancestral mansions with tales unknown, deep mysteries looming for generations, exquisite interiors hiding years of misdeeds; the very factors that make history humane also make the places witnessing them areas of massive interest. A family drama unfolding in such a backdrop, with a cast executing fine performances, ought to be acclaimed. Yet, the true beauty of the 2007 psychological horror-comedy “Bhool Bhulaiyaa” lies in its appeal, even after all these years.
What is life if not a solitary journey, filled with challenges and surprises, treasured memories and emotions, friends and foes? If I told you that an animated film without any dialogue could fully capture the essence of solitude and life’s unpredictable turns, you might be surprised. “Flow” delivers exactly that surprise.
When “The Bong Connection”, directed by Anjan Dutt, was released in 2006, legendary director Rituparno Ghosh called actor Parambrata Chatterjee and told him that he could never make a film like that. What was so special about the movie that Rituparno himself was envious of the creation?
As Bangladesh continues its journey towards economic restructuring, it is imperative to create jobs that provide dignity and security for its people.
“Talvar”, released internationally as “Guilty”, is a 2015 crime thriller directed by Meghna Gulzar and written by Vishal Bhardwaj. Loosely based on the infamous 2008 Noida double murder case, the film chronicles the brutal killings of a teenage girl and her elderly male servant. The case, which captivated public attention, saw her parents and several local servants implicated by various investigative bodies.
When “Kahaani”, directed by Sujoy Ghosh, was released in 2012, it created a significant impact. Both critically and commercially successful, the film was lauded for its women-centric theme and realistic approach to filmmaking. Over a decade later, it still stands as a compelling watch.
Once musician Xefer took a turn and decided to debut as an actor while also adopting a new look with straightened hair, that too for Mostofa Sarwar Farooki’s project, it left netizens mesmerised. Moreover, the awestruck people were also eagerly awaiting her on-screen pairing with seasoned actor Chanchal Chowdhury. However, the anticipation led to much disappointment when the greater bit of the audience did not find the movie appealing.
The show begins with the abrupt disappearance of Margaret’s youngest son while he was with Mercy. This incident triggers a series of events, also involving Margaret’s neighbour Hilary. As these women navigate their deep-rooted traumas and terrible sense of loss, the series highlights the role of the megastructures of patriarchy and capitalism in individual lives.
Kitchens constitute an essential part of our lives, a space whose power dynamics we often overlook. But if cinema reflects our lives, shouldn't it highlight even the most mundane aspects? "The Great Indian Kitchen", a 2021 Malayalam movie written and directed by Jeo Baby, prompts us to consider just that.
More often than not, a film leaves you marred with questions, and you ponder over all the ifs and buts of what will unfold next. The film “Mr and Mrs Iyer”, along with all the emotions it invokes, is one that forces us to wonder about the ‘what ifs’.
