A boy, barely out of childhood, holds a grenade in his hand. His gaze, although defiant, also holds a flicker of innocence, a boyish vulnerability peeking through the steely resolve. Flanking him on either side stand two older teenagers, rifles aimed towards the enemy.
So in the spirit of Independence, I urge my reader to exercise independence of consumption—to question what you are buying, what you are reading, what you are watching, and which of these you are really given the freedom to choose.
Over the last four decades, commemorative writings about the liberation war have established themselves as a separate genre of writing in the literary scene in Bangladesh.
In the wake of the ‘Mountbatten Plan’ on June 3, 1947, which set the date of independence for August 14 of the same year, British India was slated to be divided into two dominions: Hindu-majority India and Muslim-majority Pakistan.
We were returning via Fazlul Haque Avenue. Islamabad had three roads named after A.K. Fazlul Haque, Khwaja Nazimuddin, and Suhrawardy.
The War of Liberation in 1971 commenced late on the night of March 25th, as the Pakistani army initiated a genocidal campaign from all its cantonments, aiming to seize control of cities amidst the growing resistance movement.
The Daily Star (TDS): What sparked your interest in researching the events of 1971 in Bangladesh, particularly the connection to Australia, which had largely remained obscure before your investigation?
The Daily Star (TDS): What was the situation like on the eve of the 1971 war?
In the early 1960s, another covert group codenamed “Nucleus” emerged in the scene to further the cause of an independent Bangladesh alongside the Inner Group, East Bengal Liberation Front, and Apurba Sangsad.
Ekushey Padak-winning musician Azam Khan is regarded as the pioneer of Bangla pop music. He was not only the first pop superstar of Bangladesh, but he was also a freedom fighter who valiantly fought for the independence of the country. Today, on his 74th birth anniversary, this article chronicles this maestro's life, tracing his journey from the Liberation War until his death on June 5, 2011.
After 52 years, do we practise our founding principles?
We don’t worry about freeing everyone anymore; we only think of ourselves.
Would it be too much to ask you/ To forgive me for the carnal sin I did not commit?
The innovative activity, fostered and curated by former Cultural Affairs Minister and eminent cultural personality, Asaduzzaman Noor has commenced recently with hundreds of child artists painting the roadside walls of Dhaka city.
Mehta also directed the documentary film Dateline Bangladesh based on her time stationed in Bangladesh during the war.
Krishnendu Bose’s directorial “Bay of Blood” is a searing feature documentary, a gripping narrative that takes you on a journey through the heart-wrenching history of Bangladesh’s birth, unearthing the chilling truths of a genocide that echoed across the ages.
The Vortex is a collage of selfless acts to help victims of the Bhola cyclone and the Liberation War of Bangladesh in 1971.
Participants, including the show’s hosts and guests, picked up discarded pebbles, photo frames, children’s artwork, and other knick knacks—all fragile things collected and displayed by the author.
To understand the attitude of the adversaries of the Liberation War, I went to collect the data for this book and found that Pakistanis are defending themselves.