It was around 11:00am on May 20, 1971.
Jamal Hasan and his three teammates decided to go on a goodwill mission for the fledgling state to thank the people of the world for supporting their Liberation War.
Ekattorer Dinguli forces one to acknowledge the dire reality of ethnic and religious violence, and the harsh legacy of colonial oppression and divide that has ruptured the fabric of the South Asian subcontinent since 1947.
Operation Jackpot was the first—and allegedly best—campaign of naval commandos during the Liberation War of 1971, a deadly blow against the Pakistani invasion forces carried out on August 16, 1971.
Having been involved in the creative field for almost 15 years, Faiza Ahmed decided to explore the Fashion sector in the late 2012. Throughout her journey, she realised that fashion for many youngsters still means getting inspiration from the west. An avid fan of classical and folk music, she wanted to make a change and create designs that resemble the true beauty of art and heritage. Thus, she started experimenting with designs inspired by the popular trends, with a deshi touch.
I am here not to refute any of these stances but to ask readers to think deeply about why people got so uncomfortable seeing such a photo/heading like this.
Notun Bazar was burning, burning! /Shops, stores, woodpiles/ Piled up iron, timber, mosques and temples/ Notun Bazar was burning, burning!
Anti war crimes campaigners and rights activists have criticised the latest US human rights report on Bangladesh that advocated for the "freedom of assembly" of Jamaat-e-Islami – which strongly opposed the independence of Bangladesh and with the Pakistan army committed crimes against humanity during the Liberation War.
The Japanese film director, Nagisa Oshima is a glaring exception. Primarily known for his New Wave style of filmmaking, in many cases, Nagisa Oshima has brought up rebellious and underprivileged youths in his films. Compared to the usual subject matters of his films, it is interesting to see that his two documentaries focusing on Bangladesh, Joi Bangla (1972) and Rahman: Father of Bengal (1973), are different. He finds the intense glory of Bangladesh's achievements in the context of 1972-73 even when the country was in a war-torn condition following the war in his film Rahman: Father of Bengal.
It was around 11:00am on May 20, 1971.
Jamal Hasan and his three teammates decided to go on a goodwill mission for the fledgling state to thank the people of the world for supporting their Liberation War.
Ekattorer Dinguli forces one to acknowledge the dire reality of ethnic and religious violence, and the harsh legacy of colonial oppression and divide that has ruptured the fabric of the South Asian subcontinent since 1947.
Operation Jackpot was the first—and allegedly best—campaign of naval commandos during the Liberation War of 1971, a deadly blow against the Pakistani invasion forces carried out on August 16, 1971.
Having been involved in the creative field for almost 15 years, Faiza Ahmed decided to explore the Fashion sector in the late 2012. Throughout her journey, she realised that fashion for many youngsters still means getting inspiration from the west. An avid fan of classical and folk music, she wanted to make a change and create designs that resemble the true beauty of art and heritage. Thus, she started experimenting with designs inspired by the popular trends, with a deshi touch.
I am here not to refute any of these stances but to ask readers to think deeply about why people got so uncomfortable seeing such a photo/heading like this.
Notun Bazar was burning, burning! /Shops, stores, woodpiles/ Piled up iron, timber, mosques and temples/ Notun Bazar was burning, burning!
Anti war crimes campaigners and rights activists have criticised the latest US human rights report on Bangladesh that advocated for the "freedom of assembly" of Jamaat-e-Islami – which strongly opposed the independence of Bangladesh and with the Pakistan army committed crimes against humanity during the Liberation War.
The Japanese film director, Nagisa Oshima is a glaring exception. Primarily known for his New Wave style of filmmaking, in many cases, Nagisa Oshima has brought up rebellious and underprivileged youths in his films. Compared to the usual subject matters of his films, it is interesting to see that his two documentaries focusing on Bangladesh, Joi Bangla (1972) and Rahman: Father of Bengal (1973), are different. He finds the intense glory of Bangladesh's achievements in the context of 1972-73 even when the country was in a war-torn condition following the war in his film Rahman: Father of Bengal.
How can you talk about peace without taking into account war? Both are subjects not only of Tolstoy’s great novel but also of the two founding epic poems of Greek as well as Indian literature.