Elif Shafak has adroitly balanced the story between Peri’s suffering as a woman and religion’s role in mending our relationships and lives.
“Art is empathy,” Fredrik Backman writes. So is friendship—the kind that stays with you long after the summer ends.The kind you find when you’re 14 and everything is breaking and beginning at once. The kind of friendship that becomes a map back to yourself, years later, when you’re lost in grief, guilt, or even just the quiet ache of growing up. Fredrik Backman’s My Friends is a love letter to those friendships.
These stories subtly highlight how even within patriarchal structures, men, too, are shaped, sometimes twisted by the systems they benefit from.
Storytelling is not easy, especially when a few words portray a character with depth and just enough strokes to etch the social milieu for certain classes and creeds and the outcomes of political ideologies in post-independent Bangladesh.
Ravindra's prose is brisk, smooth, and detailed, with numerous stories from traditional Nepali and Hindu folklore chipped in, adding layers as the story unfolds.
There are any number of ways one can approach Rahat Ara Begum’s collection of short stories, 'Lost Tales from a Bygone Era: An Anthology of Translation of Urdu Stories', assembled, contextualised, and published in this book by her loving grandchildren and their siblings
Begum Rokeya was once described as a “Spider Mother” (makar-mata or makarsha janani) in her biographical account but there is nothing sinister in this metaphor. The image of the spider here symbolises the quiet, patient, and selfless labour of an educator, caring for children who were not her own. Shamsunnahar Mahmud, her close co-worker, wrote: “Day after day in this way, with the blood of her own breast, Spider Mother began to revive hundreds of baby spiders into new life.”
‘Fit for the Gods: Greek Mythology Reimagined’ (Vintage, 2023), edited by Jenn Northington and S. Zainab Williams, is a collection of classic myths with a twist
Suzanne Collins’ Hunger Games series has captivated pop culture with its bold take on tyranny, sacrifice, and resistance, spanning Katniss Everdeen’s blazing defiance in The Hunger Games (2008) to her final stand in Mockingjay (2010) against Coriolanus Snow’s cold cruelty.
Elif Shafak has adroitly balanced the story between Peri’s suffering as a woman and religion’s role in mending our relationships and lives.
“Art is empathy,” Fredrik Backman writes. So is friendship—the kind that stays with you long after the summer ends.The kind you find when you’re 14 and everything is breaking and beginning at once. The kind of friendship that becomes a map back to yourself, years later, when you’re lost in grief, guilt, or even just the quiet ache of growing up. Fredrik Backman’s My Friends is a love letter to those friendships.
These stories subtly highlight how even within patriarchal structures, men, too, are shaped, sometimes twisted by the systems they benefit from.
Storytelling is not easy, especially when a few words portray a character with depth and just enough strokes to etch the social milieu for certain classes and creeds and the outcomes of political ideologies in post-independent Bangladesh.
Ravindra's prose is brisk, smooth, and detailed, with numerous stories from traditional Nepali and Hindu folklore chipped in, adding layers as the story unfolds.
Begum Rokeya was once described as a “Spider Mother” (makar-mata or makarsha janani) in her biographical account but there is nothing sinister in this metaphor. The image of the spider here symbolises the quiet, patient, and selfless labour of an educator, caring for children who were not her own. Shamsunnahar Mahmud, her close co-worker, wrote: “Day after day in this way, with the blood of her own breast, Spider Mother began to revive hundreds of baby spiders into new life.”
There are any number of ways one can approach Rahat Ara Begum’s collection of short stories, 'Lost Tales from a Bygone Era: An Anthology of Translation of Urdu Stories', assembled, contextualised, and published in this book by her loving grandchildren and their siblings
‘Fit for the Gods: Greek Mythology Reimagined’ (Vintage, 2023), edited by Jenn Northington and S. Zainab Williams, is a collection of classic myths with a twist
Suzanne Collins’ Hunger Games series has captivated pop culture with its bold take on tyranny, sacrifice, and resistance, spanning Katniss Everdeen’s blazing defiance in The Hunger Games (2008) to her final stand in Mockingjay (2010) against Coriolanus Snow’s cold cruelty.
Beyond the celebration of Eid, this book also explores themes of love, loss, and the grief of spending a special occasion without a loved one.
