V. Ramaswamy is a translator and writer based in Kolkata, India. I had first heard of him in early 2022, when a new book of translations of Shahidul Zahir was being written about in newspapers here in Bangladesh and in India.
It was not often that I received odd parcels. True, my job at the paper did occasionally warrant a few peculiar hate-mail or rebuttals, but this was nothing of that sort
“All literature is regional; or conversely, no literature is regional”—is a common sentiment to have today, but I had first read those lines from Joyce Carol Oates, in her preface to a book of stories by one of Canada’s most gifted storytellers, Alistair MacLeod. In MacLeod’s short stories, his Cape Breton Island was a refrain through which the momentous lives of his ordinary characters came through.
Izumi Suzuki was little known outside of Japan during her short lifetime. The Japanese author and actress had remained a cult figure most of her life.
Everett’s breezy, fast-moving retelling of Mark Twain’s The Adventures of Huckleberry Finn (1884) is about putting in some due respect.
I plead but I know there is nothing I can do. Akbar, in a rare fit of courage, tries to intervene. But the old man does not budge. Maybe he knows about Mina and me.
Sometime ago, a writer reached out to me with a request. His debut novel was being published later in the year and he was wondering if I would be open to reviewing it. I was aware of the book, having read it when it was still only a draft. The author was not someone I only knew, either, but a mentor who had supported my writing in many ways, even through monetary means. Refusing him, then, felt tantamount to betrayal. But I had to in the end, and though he understood, I still came out of the exchange feeling guilty of being unhelpful or, worse, ungrateful.
The eight girls in Headshot clearly hope to escape the chaos of their lives in the ring.
V. Ramaswamy is a translator and writer based in Kolkata, India. I had first heard of him in early 2022, when a new book of translations of Shahidul Zahir was being written about in newspapers here in Bangladesh and in India.
It was not often that I received odd parcels. True, my job at the paper did occasionally warrant a few peculiar hate-mail or rebuttals, but this was nothing of that sort
“All literature is regional; or conversely, no literature is regional”—is a common sentiment to have today, but I had first read those lines from Joyce Carol Oates, in her preface to a book of stories by one of Canada’s most gifted storytellers, Alistair MacLeod. In MacLeod’s short stories, his Cape Breton Island was a refrain through which the momentous lives of his ordinary characters came through.
Izumi Suzuki was little known outside of Japan during her short lifetime. The Japanese author and actress had remained a cult figure most of her life.
Everett’s breezy, fast-moving retelling of Mark Twain’s The Adventures of Huckleberry Finn (1884) is about putting in some due respect.
I plead but I know there is nothing I can do. Akbar, in a rare fit of courage, tries to intervene. But the old man does not budge. Maybe he knows about Mina and me.
Sometime ago, a writer reached out to me with a request. His debut novel was being published later in the year and he was wondering if I would be open to reviewing it. I was aware of the book, having read it when it was still only a draft. The author was not someone I only knew, either, but a mentor who had supported my writing in many ways, even through monetary means. Refusing him, then, felt tantamount to betrayal. But I had to in the end, and though he understood, I still came out of the exchange feeling guilty of being unhelpful or, worse, ungrateful.
The eight girls in Headshot clearly hope to escape the chaos of their lives in the ring.
The disinformation game is now increasingly a part of our political makeup.
“The liberation that comes through sorrow is greater than the sorrow,” says Nikhilesh, in Home and the World. I quote from Penguin’s Modern Classics edition, in Sreejata Guha’s translation.
