essay

ESSAY / ‘The day begins wrong’: Mastering tension and suspense in fiction

In my creative writing classes, whether at the University of Toronto or the Hermitage Residency in Bangladesh, I emphasise that any student of fiction must first master suspense

ESSAY / The English-Bangla conundrum continues

When my literature professor heard I had been delving into Bangla literature and cultural media in pursuit of a self-undertaken project to finally learn Bangla, she suggested I see the 1970 film Jibon Thekey Neya.

ESSAY / To read as an academic: The transformative journey of a reader turned student

I became curious as to how the experience of reading might change for someone who studied it for a living, and how the lens of a literature student might differ from that of a creative writing one

ESSAY / Between falling and failing

Although there is much merit to the representation of women’s pain, the evolution of the heavily aestheticised “sad girl” trope in popular culture has started to make a mawkish caricature of real women’s suffering

ESSAY / The promises and pitfalls of decolonial thinking

The craze that once prevailed in academia over postcolonialism no longer seems to hover around there anymore.

ESSAY / “Dostoevsky” by Ahmed Sofa

A translation of Ahmed Sofa's essay on Dostoyevsky

ESSAY / Romance and unfulfillment in the past and the present

Much like most media geared toward women, romance novels have frequently received flack for its supposed shallowness, absurdity, and flamboyancy.

ESSAY / On ‘Gaza Monologues, the Land of Sad Oranges’: A theatrical performance by Prachyanat

How do you attempt to understand testimonies of mass public trauma?

ESSAY / The first semester is your shitty first draft

Like many veterans, I joined a creative writing MFA program because I wanted to evolve as a writer.

April 18, 2024
April 18, 2024

‘The day begins wrong’: Mastering tension and suspense in fiction

In my creative writing classes, whether at the University of Toronto or the Hermitage Residency in Bangladesh, I emphasise that any student of fiction must first master suspense

March 23, 2024
March 23, 2024

The English-Bangla conundrum continues

When my literature professor heard I had been delving into Bangla literature and cultural media in pursuit of a self-undertaken project to finally learn Bangla, she suggested I see the 1970 film Jibon Thekey Neya.

March 22, 2024
March 22, 2024

To read as an academic: The transformative journey of a reader turned student

I became curious as to how the experience of reading might change for someone who studied it for a living, and how the lens of a literature student might differ from that of a creative writing one

March 9, 2024
March 9, 2024

Between falling and failing

Although there is much merit to the representation of women’s pain, the evolution of the heavily aestheticised “sad girl” trope in popular culture has started to make a mawkish caricature of real women’s suffering

February 29, 2024
February 29, 2024

The promises and pitfalls of decolonial thinking

The craze that once prevailed in academia over postcolonialism no longer seems to hover around there anymore.

February 23, 2024
February 23, 2024

“Dostoevsky” by Ahmed Sofa

A translation of Ahmed Sofa's essay on Dostoyevsky

February 17, 2024
February 17, 2024

Romance and unfulfillment in the past and the present

Much like most media geared toward women, romance novels have frequently received flack for its supposed shallowness, absurdity, and flamboyancy.

February 3, 2024
February 3, 2024

On ‘Gaza Monologues, the Land of Sad Oranges’: A theatrical performance by Prachyanat

How do you attempt to understand testimonies of mass public trauma?

January 25, 2024
January 25, 2024

The first semester is your shitty first draft

Like many veterans, I joined a creative writing MFA program because I wanted to evolve as a writer.

January 16, 2024
January 16, 2024

The controversial legacy of Nabokov’s ‘Lolita’

Readers often look for relatability in the stories and characters they are reading but Nabokov doesn’t give his readers that comfort or spoon feed them. Rather, he challenges them to eschew feeling compelled by Humbert’s justification of his innocence

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