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In the summer of 1970, our prestigious Notre Dame College in Dhaka went on recess for three weeks. I was a student there, having recently relocated from Islamabad after my matriculation for a better prospect of a good college education.
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It was the Dhaka of 1970. Unlike today, it was then a laidback provincial capital city. I was a student at Notre Dame College.
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Jorashanko and Pathuriaghata along Chitpur Road used to be the major centres of Bengali arts and culture. Pathuriaghata Street is so named as it once led to a stone-flagged ghat on the Hooghly River.
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While posted to Dhaka he invited his friend the accomplished English professional artist George Chinnery (1774–1852) to join him in Dhaka, as his house guest. In their leisure time, the two friends would go around Dhaka looking for exotic rural landscapes and other picturesque subjects, of which there was no dearth in those days.
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We, the Bangalees in Pakistan were ecstatic with joy. However, soon the reality also dawned upon us that we were stranded in Pakistan. The million dollar question was, when and how shall we all go back to liberated Bangladesh? There would be long months of anxious waiting and uncertainty ahead of us.
