The mosque committee was quite displeased with Rashed, their young muezzin.
Dust patterns have gathered around my landline phone, huddling around the maroon. my fingerprints take some dust off of it, and they rejoice.
When there’s a lull in the air, I get the feeling that I’ve scraped the bottom of my fleshy insides.
Buckets of water I pour on my head; my vision gets blurry./ "The blurrier, the merrier", my mother said.
The yard in this noontime is buzzing with/ The white aroma of the guava flower
Everyone gathered around the east end of the Shashipur to watch Sharafat Miah dig his own grave. The local kids lurked around Sharafat’s old hut, keeping a watch on the progress of the grave until their mothers came to pick them up after Maghrib.
Shahaduz Zaman stands out prominently as a significant figure in the contemporary Bangla literary landscape, utilising intertextuality throughout his works, and infusing various texts and genres into his narratives.
I’m going through a heartbreak
I'm tired of living with this nagging thought that we'll cross paths someday, /You and I
Reya looks out the window of the bus, the glint of sunlight falling across her oval face makes her olive skin shimmer.
They say the hills have eyes Iridescent, all knowing, and deathlike.
Do you want my hands/ Will they be enough to keep you warm
Words have crashed onto your shores,
Kissing strangers only feels good
Your gaze, a dagger, cuts through me,
I needed to de-escalate.
When my literature professor heard I had been delving into Bangla literature and cultural media in pursuit of a self-undertaken project to finally learn Bangla, she suggested I see the 1970 film Jibon Thekey Neya.
You have made ice out of my heart;/ we were once nothing–you brutalise me
“Stop mocking me, Atif! I am telling you there is something here.”