Ziaul Karim

In conversation with Deepali Dewan

A large congregation of artists, curators and scholars came together at the recently concluded Dhaka Art Summit (DAS) 2020.

4y ago

Syed Iqbal’s ‘My Broken Mind’ in Toronto

Astute brushstrokes, applied with verve and panache, mingle together in a multitude of vibrant colours as an imposing dream-stricken visage stare from the canvas. Simple grid pattern of primary colours interspersed with a submersed face, slowly and gradually emerging into this world from a dream. The surging passion of the execution of the painting Dream Face-2 reverberates in tincture and tone of the exhibits of Syed Iqbal’s 18th solo, My Broken Mind.

4y ago

Meditative and Engrossing: The ever-evolving work of Hashem Khan

A discarded corrugated paper box torn inside out and pasted on a flat field of blue; a colour tube drawn in bold black brush stroke

6y ago
February 19, 2020
February 19, 2020

In conversation with Deepali Dewan

A large congregation of artists, curators and scholars came together at the recently concluded Dhaka Art Summit (DAS) 2020.

November 8, 2019
November 8, 2019

Syed Iqbal’s ‘My Broken Mind’ in Toronto

Astute brushstrokes, applied with verve and panache, mingle together in a multitude of vibrant colours as an imposing dream-stricken visage stare from the canvas. Simple grid pattern of primary colours interspersed with a submersed face, slowly and gradually emerging into this world from a dream. The surging passion of the execution of the painting Dream Face-2 reverberates in tincture and tone of the exhibits of Syed Iqbal’s 18th solo, My Broken Mind.

January 5, 2018
January 5, 2018

Meditative and Engrossing: The ever-evolving work of Hashem Khan

A discarded corrugated paper box torn inside out and pasted on a flat field of blue; a colour tube drawn in bold black brush stroke

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