Laal Kono Rong Noy (‘Red is Not a Colour’), curated by Mustafa Zaman, is displaying the works of artist Sanjoy Chakraborty from July 12 to 25 at Dwip Gallery, Lalmatia. Sanjoy Chakraborty studied History of Art at Rabindra Bharati University, India and has
In a solo exhibition “Disappearing Roots”, Samsul Alam Helal explores the impact of gentrification in the Rangamati hill tracts.
20 years of anything is a rather big affair. The 10th edition of Chobi Mela has just wrapped up. Here I look to the people who put it together year after year, and the matters that pushed its presence among us through the crevices of this gridlocked city.
Whenever I find something beautiful, I end up going back to the works of my father to judge that beauty.
If you were anywhere around the Faculty of Fine Arts, DU and the Suhrawardy Udyan from 12 pm and 3 pm last Saturday, February 2, you might have seen a tall woman of Caucasian origin,
From the title of the exhibition to the ambience that hits you upon entering the gallery, one is struck by the presence of alliance, of the fun borne of creative collaboration in the project.
In the mainstream Bengali culture, the image of the indigenous women is exoticised. Often shown dressed in colorful attires and traditional jewellery, frolicking in the hills—they are the embodiment of a “primitive” culture, with their ties to nature and their “simple” ways of living.
"As I start drawing, and begin contemplating on what to draw, my art takes shape. When I sit with a pen and a blank canvas, I slowly start to see images and it guides my pen, eventually giving birth to a piece of art.
For nine generations the Acharya family has depicted rural Bengal in their scroll paintings in a dream-like setting, where life was simpler but in no way easy.
Bangladeshi modern sculptor, Novera Ahmed, was a woman far ahead of her times.
The July sun sparkled and reflected from the rows of tin-shed roofs that the almost hundred year old PK Sen building looked out upon. The little known, Prashanna Kumar Sen building was cracking at its seams; the pale yellow and green painted walls were peeling and gave the walls a snakeskin texture.
We all know that engineering and architecture students pull all-nighters very often, struggling under a regular wave of stress of their assignments, quizzes and submissions.
The Milkshake Collective is a group of 22 local artists, specialising art forms starting from pop to modern and graphic. Each
The third edition of the Prudential Eye Awards 2016 was held in Singapore last month as part of Singapore Art Week. With an eye to
Besides presenting Bangladesh's history and archaeological heritages throughout the year, this month Bangladesh National Museum has set to tell the nation's story in a different way.
The Venice Biennale is widely accepted as “the art world's greatest show”. I had the privilege to attend the opening week, with the theme Enwezor chose for its central exhibition, “All the world's futures”, reflecting his own preoccupation with “the state of things” - in a world where war and destruction has not only not spared art, but our cultural heritage is under attack in a very targeted sense.
Voiceless Bangladesh (VB) is a project initiated by Naima Alam, lecturer, Media Studies and Journalism Department in ULAB (University of Liberal Arts, Bangladesh), to teach her students Public Relations in a rather unique way, working with social issues.