Laal Kono Rong Noy (‘Red is Not a Colour’), curated by Mustafa Zaman, is displaying the works of artist Sanjoy Chakraborty from July 12 to 25 at Dwip Gallery, Lalmatia. Sanjoy Chakraborty studied History of Art at Rabindra Bharati University, India and has
20 years of anything is a rather big affair. The 10th edition of Chobi Mela has just wrapped up. Here I look to the people who put it together year after year, and the matters that pushed its presence among us through the crevices of this gridlocked city.
Satyajit Ray started as a graphic illustrator before his emergence as a Bengali film icon. He designed book covers, film posters and illustrated children's books among other things and even created two award winning Bangla fonts. What is profound in his work is the sophisticated experimentation with various artistic styles and traditions, both local and foreign, without compromising an aesthetic of authenticity. His forays into graphic design and calligraphy continued throughout his career and often webbed strongly into his filmmaking. Satyajit Ray was indeed a master of visual art in its broadest terms.
Dhali Al Mamoon turned time into a portal to gaze back or gauge a blind side of history of the subcontinent—the colonial legacy—which is laden with grief and shame at the loss of the capacity for articulation that Dhali feels has resulted in forfeiting an authentic artistic language in favour of one that alienates a person from one's self.