Louise Glück’s poetry is at once deeply personal and ubiquitous. Articles explaining her work demur from calling it confessional, and they may be right. It doesn’t feel like the thoughts and feelings of another; the speaker confessing seems more vulnerable, as if they’re opening up directly to you. The sceneries she weaves are odd and alluring, and behind the deceptively simple lines are layers of meaning.
Of all the notable works done on visual media in our country, Shabash by Mighty Punch Studio came as a welcome surprise to me. From the tone of storytelling to the beautiful visuals, Mighty Punch Studios paint a unique stroke.
When the lockdown was enforced and we were all confined to our homes, I began organising my bookshelf and no longer had stray paperbacks all over the house. I could finally spread my legs while taking a nap. This was received with great enthusiasm and approval of my mother, and confused glares of my cat.
Sherlock Holmes, the famous detective of 221B Baker Street, has a sister. Her name is Enola Holmes, and despite being much younger than him, she shows powers of deductive reasoning that foretell her advent into the world of mystery and intrigue.
When I was in 9th grade, a friend introduced me to the works of director Lars von Trier, starting with the film Dogville (2003). I’d never seen a feature film play out so well, in such intensity, with nothing but a largely empty sound stage for a film set.
Travis Dandro’s King of King Court: A Memoir (Drawn & Quarterly, 2019) is a large, dense book that reads light and fast. The coming of age story is packed with the raw emotional power of the author’s traumatic childhood.