Sushmita S. Preetha
THE SOUND AND THE FURY
The writer is an activist, journalist and outraged feminist.
THE SOUND AND THE FURY
The writer is an activist, journalist and outraged feminist.
Geof Wood talks to Sushmita S Preetha of The Daily Star about his latest book, in which he explores the dilemmas of being an academic immersed in the processes of development and the intersection between policymaking and activism.
That justice for rape survivors is a mirage in this country is no news, with a miserable conviction rate of three percent in rape cases.
UN Special Rapporteur on Freedom of Opinion and Expression Irene Khan speaks with The Daily Star about the recent general election, shrinking space for dissent, and the pressing need to address human rights concerns in Bangladesh.
With each new term of the ruling regime, and each new provision or law, we have learnt a bit more of self-censorship.
The government has heavily invested in purchasing surveillance equipment and enhancing the capacities of various agencies to use them over the years, but it hasn't shown an iota of the same interest in what should have been its priority—protection of citizens’ data
Rather than assuage the workers by announcing a respectable wage, the wage board has essentially fuelled workers’ outrage and made a mockery of the wage negotiation process
Will the wage board and our policymakers truly hear the stories of backbreaking work and heartbreaking debt of the garment workers, who have kept the economy going even at its worst phases?
There are two kinds of numbers that I find difficult to digest these days. The more I try to swallow the one, the more unpalatable the other becomes.
The authorities can’t escape liability for deaths at BRT site by blaming the contractors
Why do we never question the psychological impact on children stuck between two parents in an unhappy marriage?
Some of us may breathe a sigh of relief that Hriday Mondal, imprisoned for 19 days and denied bail twice, for trying to explain the difference between science and religion to his students, has been granted bail.
Two dangerous policy drafts regulating our online presence have been prepared right in front of our noses, and except for a few usual suspects crying wolf, there has been little public outrage over it.
Anyone who has seen the video of Chattogram-based journalist Golam Sarwar—taken shortly after he was found unconscious on the banks of a canal following a disappearance of three days—is unlikely to forget the helplessness and fear coursing through his bruised being, as he kept on uttering the words, “Please, brother, I won’t write anymore.”
The scenes are at once familiar and unfamiliar.
After a decade of ruthlessly pursuing the world’s dirtiest fuel, the Ministry of Power, Energy and Mineral Resources (MoPEMR) is contemplating closing down 13 of the 18 previously approved coal-based power projects around the country and apparently switching to “cleaner” alternatives.
The announcement that a five-star “Marriott Hotel and Amusement Park” is being built in Bandarban no doubt comes as welcome news to Bengali elites and the nouveau riche looking for novel and Instagrammable ways of spending their weekends and disposable incomes in the luscious hills of the CHT.
I’ve long come to accept that there’s no such thing as a suitable adaption of a favourite book. Yet, when it was announced that Vikram Seth’s A Suitable Boy (1993), a novel I have loved through the decades, was going to be adapted by the BBC for a miniseries—and directed by Mira Nair, no less—I couldn’t help but feel hopeful about the possibilities. Could this really be… the one?