Nine months ago, the Sunamganj deputy commissioner promised the homeless Hamida Banu a shelter project house in Sunamganj. However, despite their assurance, the 48-year-old folk musician still finds herself without a place to call home as the uncertainty of whether she will ever receive it looms over her like an empty roof.
I would argue it is inadequate to develop an oversimplified criticism of Coke Studio Bangla.
The musician is renowned for his exceptional lyricism and musical arrangements and has been a stalwart in the Bengali music scene for decades. Amidst his bustling studio life, he finds solace in the tranquillity of Shantiniketan, where his musical journey began as a disciple.
"Ma Lo Ma" delves into the profound realisation that life's journey is akin to navigating through the dualities of adulting and nostalgia. It encapsulates the introspective query that often arises with age: "What am I doing here?" Yet, within this existential questioning lies the potential for a beautiful transformation—a self-acceptance that allows individuals to flourish even amidst life's most challenging seasons.
It has been a couple of weeks at least since the Bangla New Year celebrations, which we lovingly refer to as Noboborsho. However, Coke Studio Bangla’s “Tati” is still dominating playlists. ‘Taanti’, or in this case “Tati”, refers to the craftsperson or the creator of fabrics, who works with the material called taant – depicting motifs, colourful borders, and softness to touch. Especially in this heat, a taant saree or a fatua is always a welcome addition to an average Bangladeshi wardrobe, allowing one to breathe easy and at the same time, look trendy.
His rendition of "Shada Shada Kala Kala" marked a turning point, garnering widespread acclaim and affirming his belief that Bangladeshis would embrace him as one of their own if he pursued Bangla music wholeheartedly.
If you are a devoted listener of Coke Studio Bangla, chances are you may not have missed its Season 3 opener, “Tati,” — a song that celebrates not just the music, but the very soul of Bangladeshi craftsmanship. Released under the creative direction of Shayan Chowdhury Arnob, the vocalists include Md Gonjer Ali, Oli Boy and the evergreen Jaya Ahsan.
Coke Studio Bangla has kicked off Season 3 with the release of its first song, showcasing a rich blend of musical talent and cultural heritage. The inaugural song, titled "Tati," pays homage to the traditional artistry of Jamdani and the power of weaving and storytelling.
The upcoming season of Coke Studio Bangla will feature a repertoire of 11 new songs, showcasing an eclectic mix of artistes from diverse backgrounds and presenting a myriad of Bangla music genres. Continuing the tradition set by the previous seasons, Shayan Chowdhury Arnob assumes the role of music curator for season 3, alongside fellow music producers such as Pritom Hasan, Emon Chowdhury, Shuvendu Das Shuvo, and others.
Nine months ago, the Sunamganj deputy commissioner promised the homeless Hamida Banu a shelter project house in Sunamganj. However, despite their assurance, the 48-year-old folk musician still finds herself without a place to call home as the uncertainty of whether she will ever receive it looms over her like an empty roof.
I would argue it is inadequate to develop an oversimplified criticism of Coke Studio Bangla.
The musician is renowned for his exceptional lyricism and musical arrangements and has been a stalwart in the Bengali music scene for decades. Amidst his bustling studio life, he finds solace in the tranquillity of Shantiniketan, where his musical journey began as a disciple.
"Ma Lo Ma" delves into the profound realisation that life's journey is akin to navigating through the dualities of adulting and nostalgia. It encapsulates the introspective query that often arises with age: "What am I doing here?" Yet, within this existential questioning lies the potential for a beautiful transformation—a self-acceptance that allows individuals to flourish even amidst life's most challenging seasons.
It has been a couple of weeks at least since the Bangla New Year celebrations, which we lovingly refer to as Noboborsho. However, Coke Studio Bangla’s “Tati” is still dominating playlists. ‘Taanti’, or in this case “Tati”, refers to the craftsperson or the creator of fabrics, who works with the material called taant – depicting motifs, colourful borders, and softness to touch. Especially in this heat, a taant saree or a fatua is always a welcome addition to an average Bangladeshi wardrobe, allowing one to breathe easy and at the same time, look trendy.
His rendition of "Shada Shada Kala Kala" marked a turning point, garnering widespread acclaim and affirming his belief that Bangladeshis would embrace him as one of their own if he pursued Bangla music wholeheartedly.
If you are a devoted listener of Coke Studio Bangla, chances are you may not have missed its Season 3 opener, “Tati,” — a song that celebrates not just the music, but the very soul of Bangladeshi craftsmanship. Released under the creative direction of Shayan Chowdhury Arnob, the vocalists include Md Gonjer Ali, Oli Boy and the evergreen Jaya Ahsan.
Coke Studio Bangla has kicked off Season 3 with the release of its first song, showcasing a rich blend of musical talent and cultural heritage. The inaugural song, titled "Tati," pays homage to the traditional artistry of Jamdani and the power of weaving and storytelling.
The upcoming season of Coke Studio Bangla will feature a repertoire of 11 new songs, showcasing an eclectic mix of artistes from diverse backgrounds and presenting a myriad of Bangla music genres. Continuing the tradition set by the previous seasons, Shayan Chowdhury Arnob assumes the role of music curator for season 3, alongside fellow music producers such as Pritom Hasan, Emon Chowdhury, Shuvendu Das Shuvo, and others.
Director Adnan Al Rajeev, also the owner of Runout Films, is all set to helm the next and third instalment of Coke Studio Bangla as confirmed by himself via his official Facebook handle. The filmmaker further added that DotBirth will be taking on the role of its agency.