The following are podcasts that focus on POC writers, a list made because of the heavy Eurocentrism still present in the lists and bookstores known around Bangladesh.
In Deena Mohamed’s Shubeik Lubeik (originally published in 2015 and translated in 2023 by Mohamed herself), wishes have not only drastically altered the fabric of daily life in Egypt, but the world at large.
A bunch of free places on the internet that allow me to complete assignments or personal projects when the going gets rough.
Much like most media geared toward women, romance novels have frequently received flack for its supposed shallowness, absurdity, and flamboyancy.
When I read the title of Charlotte Stroud’s article “The curse of the cool girl novelist” and the accompanying description of said type of novelist, I had a solid image of what she was referring to. Stroud describes “cool girl novelists” as “depressed and alienated”, “incurably downcast”, and “terminally sad”. It had similarities with “sad girl” literature, a supposedly new genre captivating readers and publishers alike.
A review of 'Munnu: A Boy from Kashmir' (Fourth Estate, 2015), a stark portrayal of Kashmir, not through the eyes of a foreign individual looking in from the outside, but a Kashmiri living through the Indian occupation
In some ways, Sharatchandra places the blame for Devdas's ensuing sorrow on his lack of courage, made all the more noticeable in comparison to Parbati's courage in breaking social norms despite the dire consequences it could have for her.
The following are podcasts that focus on POC writers, a list made because of the heavy Eurocentrism still present in the lists and bookstores known around Bangladesh.
Even as she is glorified, her work is devalued.
In Deena Mohamed’s Shubeik Lubeik (originally published in 2015 and translated in 2023 by Mohamed herself), wishes have not only drastically altered the fabric of daily life in Egypt, but the world at large.
A bunch of free places on the internet that allow me to complete assignments or personal projects when the going gets rough.
Much like most media geared toward women, romance novels have frequently received flack for its supposed shallowness, absurdity, and flamboyancy.
When I read the title of Charlotte Stroud’s article “The curse of the cool girl novelist” and the accompanying description of said type of novelist, I had a solid image of what she was referring to. Stroud describes “cool girl novelists” as “depressed and alienated”, “incurably downcast”, and “terminally sad”. It had similarities with “sad girl” literature, a supposedly new genre captivating readers and publishers alike.
A review of 'Munnu: A Boy from Kashmir' (Fourth Estate, 2015), a stark portrayal of Kashmir, not through the eyes of a foreign individual looking in from the outside, but a Kashmiri living through the Indian occupation
In some ways, Sharatchandra places the blame for Devdas's ensuing sorrow on his lack of courage, made all the more noticeable in comparison to Parbati's courage in breaking social norms despite the dire consequences it could have for her.
Movies showing truer pictures of what weddings are really like.
Where do you fall on the spectrum?