Fakrul Alam is a Bangladeshi academic, writer, and translator.
The title of this book suggests that it is based in Bengal but it really meanders deftly across time and space, more often than not in “mazy motion”.
Be a tree Get wet in sorrow’s shower and you’ll recover. From envy’s scorching sun gather strength
The title of the first of Professor Rehman Sobhan’s two-part memoir suggests that it is about his “years of fulfilment”; the subject matter of its sequel therefore would be about the “untranquil” years that followed.
The postcolonial and feminist lenses Chatterjee deploys in his discussion of the works of the selected women writers seem to suit his analysis of the works of these "enlightenment" period British women writers, for their biases, fixations, and anxieties often come into view then.
Melville's critics, inevitably, panned him for what he had characterised self-deprecatingly and in his frustration as his fictional "botches," although his works were rarely that.
Rabindranath Tagore’s Gora, written between 1907 and 1909, reveals the ways in which Tagore addresses the all-important issues of his time—national identity formation, the coming together of people over time, and obstacles or barriers put in the way of the progress of a nation. The novel captures Tagore’s fascination with envisioning a future based on human amity or moitri, one where the powerless and the dispossessed transcend the barriers of division and distrust.
The title of this book suggests that it is based in Bengal but it really meanders deftly across time and space, more often than not in “mazy motion”.
Be a tree Get wet in sorrow’s shower and you’ll recover. From envy’s scorching sun gather strength
The title of the first of Professor Rehman Sobhan’s two-part memoir suggests that it is about his “years of fulfilment”; the subject matter of its sequel therefore would be about the “untranquil” years that followed.
The postcolonial and feminist lenses Chatterjee deploys in his discussion of the works of the selected women writers seem to suit his analysis of the works of these "enlightenment" period British women writers, for their biases, fixations, and anxieties often come into view then.
Self-confidence shaken, some shattered memories in their side bags
Who is the one playing such a plaintive tune on a flute
Melville's critics, inevitably, panned him for what he had characterised self-deprecatingly and in his frustration as his fictional "botches," although his works were rarely that.
Rabindranath Tagore’s Gora, written between 1907 and 1909, reveals the ways in which Tagore addresses the all-important issues of his time—national identity formation, the coming together of people over time, and obstacles or barriers put in the way of the progress of a nation. The novel captures Tagore’s fascination with envisioning a future based on human amity or moitri, one where the powerless and the dispossessed transcend the barriers of division and distrust.
How can you talk about peace without taking into account war? Both are subjects not only of Tolstoy’s great novel but also of the two founding epic poems of Greek as well as Indian literature.
By 1954 Jibanananda Das, after years of neglect, was beginning to gain increasing attention as a poet all over Bengal—East or West—and had a steady teaching job after a long, long time. Indeed, in 1953 he had been awarded the Rabindra-Smriti Puroshkar for his book of verse, Banalata Sen. In May, 1954 his Jibanananda Dasher Shreshto Kobita came out from a reasonably good publishing house, collecting his best poems.