The collection on display includes daily wares such as vases, bowls, plates, mugs as well as terracotta and ceramic artifacts -- wall hangings and figurines.

Three different kinds of glazes or finish have been used on the ceramics. The high temperature glaze (done between 1150-1200 C) has been used on the mugs and bowls and lead glaze (done at around 1050 C) has been used on the big wall hangings that give the impression of paintings with a mirror-like finish. Enamel glaze (done between 600-700 C) has been used on sets of tiles that make up for framed images.

Subbir knows the limitations of terracotta; hence he enjoys working with ceramics, which enables him to experiment with different colours, free forms, and appearances. However, his rectangular terracotta piece featuring traditional motifs -- birds, flowers and leaves, is impressive.

A wall hanging, also by Subbir, featuring the goddess Durga with her son Ganesha follows the age-old tradition of illustrating mythical characters. The piece stands out for a display of glowing jade green and vibrant mustard. Another work by him, an assemblage of tiles, shows a child enjoying a ride on a plough. A man is maneuvering the plough while two others are pulling it. Use of subtle earth colours -- light blues, greens and browns -- makes the familiar rural image appealing.

Suman's works, inspired by ancient cave paintings are interesting. The two-toned images feature hunting and other pre-civilisation rituals. Two large wall hangings of a dancer by Suman can light up a room. The shades used are bold green, navy blue. The dusky dancer with a sensuous gaze strikes an enchanting stance.

A set of pale figurines by Suman grabs attention. All of them are lounging, some in little bowls. Terracotta patterns of indigenous toys, hand fans, ektara, kites, peacocks and more are also featured in Suman's work.

Both craftsmen complain that the facilities available for ceramic artists at IFA are inadequate and mostly outdated; the kiln does not function properly for instance. Both said several pieces were ruined while using the kiln. Achieving the desired shades is difficult. According to them, commercial ceramic factories have the technology available to do quality work but artists do not have access to the facilities.

However, the duo is excited with the positive response they have been receiving at the exhibition. The exhibition ends today.